Donnie Yen (born 27 July 1963) Yen was born in Guangzhou, China. also known as Yen Ji-dan, is a Hong Kong actor, Chinese martial artist. Films 1983 Shaolin Drunkard 1984 Drunken Tai Chi 1985 Mismatched Couples 1988 Tiger Cage 1989 In the Line of Duty 4: Witness 1990 Tiger Cage 2 1991 Holy Virgin vs. the Evil Dead Crystal Hunt 1992 Cheetah on Fire Once Upon a Time in China II New Dragon Gate Inn 1993 Iron Monkey Butterfly and Sword Hero Among Heroes 1994 Wing Chun Circus Kid 1995 Iron Monkey 2 The Saint of Gamblers 1996 Satan Returns 1997 Legend of the Wolf High Voltage Black Rose 2 1998 Ballistic Kiss Shanghai Affairs 1999 City of Darkness Moonlight Express 2000 Highlander: Endgame 2001 The Princess Blade 2002 Blade II Hero 2003 Shanghai Knights The Twins Effect 2004 The Twins Effect II Protege de la Rose Noire Love on the Rocks 2005 SPL: Sha Po Lang Seven Swords 2006 Stormbreaker Dragon Tiger Gate 2007 Flash Point 2008 An Empress and the Warriors Painted Skin Ip Man 2009 All’s Well, Ends Well 2009 The Founding of a Republic Bodyguards and Assassins 2010 14 Blades Ip Man 2 Legend of the Fist: The Return of Chen Zhen 2011 All’s Well, Ends Well 2011 The Lost Bladesman Wu Xia 2012 All’s Well, Ends Well 2012 2013 Together Special ID 2014 Golden Chicken 3 The Monkey King Iceman Kung Fu Jungle 2015 An Inspector Calls Ip Man 3 2016 Crouching Tiger, Hidden Dragon: Sword of Destiny Iceman II Rogue One: A Star Wars Story 2017 XXX: Return of Xander Cage Chasing the Dragon American Revenge Yen is credited by many for contributing to the popularization of the traditional martial arts style known as Wing Chun. Yen’s mother, Bow-sim Mark, is a Fu Style Wudangquan and Tai Chi grandmaster, while his father, Klyster Yen, is a newspaper editor. When he was two years old, his family moved to Hong Kong, and then to Boston when he was 11. His younger sister, Chris Yen. Yen developed an interest in martial arts and began experimenting with various styles, including t’ai chi and other traditional Chinese martial arts. Yen then started karate when he was nine. Yen focused on practicing wushu seriously at the age of fourteen after dropping out of school. He to Beijing on a two-year training program with the Beijing Wushu Team. Yen finally started taekwondo at around the age of sixteen. (y) #donnieyen #donnie #yen

Boxing Technique Stance The modern boxing stance differs substantially from the typical boxing stances of the 19th and early 20th centuries. The modern stance has a more upright vertical-armed guard, as opposed to the more horizontal, knuckles-facing-forward guard adopted by early 20th century hook users such as Jack Johnson. Upright stance Semi-crouch Full crouch In a fully upright stance, the boxer stands with the legs shoulder-width apart and the rear foot a half-step in front of the lead man. Right-handed or orthodox boxers lead with the left foot and fist (for most penetration power). Both feet are parallel, and the right heel is off the ground. The lead (left) fist is held vertically about six inches in front of the face at eye level. The rear (right) fist is held beside the chin and the elbow tucked against the ribcage to protect the body. The chin is tucked into the chest to avoid punches to the jaw which commonly cause knock-outs and is often kept slightly off-center. Wrists are slightly bent to avoid damage when punching and the elbows are kept tucked in to protect the ribcage. Some boxers fight from a crouch, leaning forward and keeping their feet closer together. The stance described is considered the "textbook" stance and fighters are encouraged to change it around once it's been mastered as a base. Case in point, many fast fighters have their hands down and have almost exaggerated footwork, while brawlers or bully fighters tend to slowly stalk their opponents. Left-handed or southpaw fighters use a mirror image of the orthodox stance, which can create problems for orthodox fighters unaccustomed to receiving jabs, hooks, or crosses from the opposite side. The southpaw stance, conversely, is vulnerable to a straight right hand. North American fighters tend to favor a more balanced stance, facing the opponent almost squarely, while many European fighters stand with their torso turned more to the side. The positioning of the hands may also vary, as some fighters prefer to have both hands raised in front of the face, risking exposure to body shots. Modern boxers can sometimes be seen tapping their cheeks or foreheads with their fists in order to remind themselves to keep their hands up (which becomes difficult during long bouts). Boxers are taught to push off with their feet in order to move effectively. Forward motion involves lifting the lead leg and pushing with the rear leg. Rearward motion involves lifting the rear leg and pushing with the lead leg. During lateral motion the leg in the direction of the movement moves first while the opposite leg provides the force needed to move the body. Punches There are four basic punches in boxing: the jab, cross, hook and uppercut. Any punch other than a jab is considered a power punch. If a boxer is right-handed (orthodox), his left hand is the lead hand and his right hand is the rear hand. For a left-handed boxer or southpaw, the hand positions are reversed. For clarity, the following discussion will assume a right-handed boxer. Jab Cross - in counter-punch with a looping Hook Uppercut Jab – A quick, straight punch thrown with the lead hand from the guard position. The jab is accompanied by a small, clockwise rotation of the torso and hips, while the fist rotates 90 degrees, becoming horizontal upon impact. As the punch reaches full extension, the lead shoulder can be brought up to guard the chin. The rear hand remains next to the face to guard the jaw. After making contact with the target, the lead hand is retracted quickly to resume a guard position in front of the face. The jab is recognized as the most important punch in a boxer's arsenal because it provides a fair amount of its own cover and it leaves the least amount of space for a counter punch from the opponent. It has the longest reach of any punch and does not require commitment or large weight transfers. Due to its relatively weak power, the jab is often used as a tool to gauge distances, probe an opponent's defenses, harass an opponent, and set up heavier, more powerful punches. A half-step may be added, moving the entire body into the punch, for additional power. Some notable boxers who have been able to develop relative power in their jabs and use it to punish or 'wear down' their opponents to some effect include Larry Holmes and Wladimir Klitschko. Cross – A powerful, straight punch thrown with the rear hand. From the guard position, the rear hand is thrown from the chin, crossing the body and traveling towards the target in a straight line. The rear shoulder is thrust forward and finishes just touching the outside of the chin. At the same time, the lead hand is retracted and tucked against the face to protect the inside of the chin. For additional power, the torso and hips are rotated counter-clockwise as the cross is thrown. A measure of an ideally extended cross is that the shoulder of the striking arm, the knee of the front leg and the ball of the front foot are on the same vertical plane.[33] Weight is also transferred from the rear foot to the lead foot, resulting in the rear heel turning outwards as it acts as a fulcrum for the transfer of weight. Body rotation and the sudden weight transfer is what gives the cross its power. Like the jab, a half-step forward may be added. After the cross is thrown, the hand is retracted quickly and the guard position resumed. It can be used to counter punch a jab, aiming for the opponent's head (or a counter to a cross aimed at the body) or to set up a hook. The cross is also called a "straight" or "right", especially if it does not cross the opponent's outstretched jab. Hook – A semi-circular punch thrown with the lead hand to the side of the opponent's head. From the guard position, the elbow is drawn back with a horizontal fist (knuckles pointing forward) and the elbow bent. The rear hand is tucked firmly against the jaw to protect the chin. The torso and hips are rotated clockwise, propelling the fist through a tight, clockwise arc across the front of the body and connecting with the target. At the same time, the lead foot pivots clockwise, turning the left heel outwards. Upon contact, the hook's circular path ends abruptly and the lead hand is pulled quickly back into the guard position. A hook may also target the lower body and this technique is sometimes called the "rip" to distinguish it from the conventional hook to the head. The hook may also be thrown with the rear hand. Notable left hookers include Joe Frazier , Roy Jones Jr. and Mike Tyson. Uppercut – A vertical, rising punch thrown with the rear hand. From the guard position, the torso shifts slightly to the right, the rear hand drops below the level of the opponent's chest and the knees are bent slightly. From this position, the rear hand is thrust upwards in a rising arc towards the opponent's chin or torso. At the same time, the knees push upwards quickly and the torso and hips rotate anti-clockwise and the rear heel turns outward, mimicking the body movement of the cross. The strategic utility of the uppercut depends on its ability to "lift" the opponent's body, setting it off-balance for successive attacks. The right uppercut followed by a left hook is a deadly combination employing the uppercut to lift the opponent's chin into a vulnerable position, then the hook to knock the opponent out. These different punch types can be thrown in rapid succession to form combinations or "combos." The most common is the jab and cross combination, nicknamed the "one-two combo." This is usually an effective combination, because the jab blocks the opponent's view of the cross, making it easier to land cleanly and forcefully. A large, swinging circular punch starting from a cocked-back position with the arm at a longer extension than the hook and all of the fighter's weight behind it is sometimes referred to as a "roundhouse," "haymaker," or sucker-punch. Relying on body weight and centripetal force within a wide arc, the roundhouse can be a powerful blow, but it is often a wild and uncontrolled punch that leaves the fighter delivering it off balance and with an open guard. Wide, looping punches have the further disadvantage of taking more time to deliver, giving the opponent ample warning to react and counter. For this reason, the haymaker or roundhouse is not a conventional punch, and is regarded by trainers as a mark of poor technique or desperation. Sometimes it has been used, because of its immense potential power, to finish off an already staggering opponent who seems unable or unlikely to take advantage of the poor position it leaves the puncher in. Another unconventional punch is the rarely used bolo punch, in which the opponent swings an arm out several times in a wide arc, usually as a distraction, before delivering with either that or the other arm. An illegal punch to the back of the head or neck is known as a rabbit punch. Defense There are several basic maneuvers a boxer can use in order to evade or block punches, depicted and discussed below. Slipping Bobbing Blocking (with the arms) Cover-Up (with the gloves) Clinching Footwork Pulling away Slip – Slipping rotates the body slightly so that an incoming punch passes harmlessly next to the head. As the opponent's punch arrives, the boxer sharply rotates the hips and shoulders. This turns the chin sideways and allows the punch to "slip" past. Muhammad Ali was famous for extremely fast and close slips, as was an early Mike Tyson. Sway or fade – To anticipate a punch and move the upper body or head back so that it misses or has its force appreciably lessened. Also called "rolling with the punch" or " Riding The Punch". Duck or break – To drop down with the back straight so that a punch aimed at the head glances or misses entirely. Bob and weave – Bobbing moves the head laterally and beneath an incoming punch. As the opponent's punch arrives, the boxer bends the legs quickly and simultaneously shifts the body either slightly right or left. Once the punch has been evaded, the boxer "weaves" back to an upright position, emerging on either the outside or inside of the opponent's still-extended arm. To move outside the opponent's extended arm is called "bobbing to the outside". To move inside the opponent's extended arm is called "bobbing to the inside". Joe Frazier, Jack Dempsey, Mike Tyson and Rocky Marciano were masters of bobbing and weaving. Parry/block – Parrying or blocking uses the boxer's shoulder, hands or arms as defensive tools to protect against incoming attacks. A block generally receives a punch while a parry tends to deflect it. A "palm", "catch", or "cuff" is a defense which intentionally takes the incoming punch on the palm portion of the defender's glove. The cover-up – Covering up is the last opportunity (other than rolling with a punch) to avoid an incoming strike to an unprotected face or body. Generally speaking, the hands are held high to protect the head and chin and the forearms are tucked against the torso to impede body shots. When protecting the body, the boxer rotates the hips and lets incoming punches "roll" off the guard. To protect the head, the boxer presses both fists against the front of the face with the forearms parallel and facing outwards. This type of guard is weak against attacks from below. The clinch – Clinching is a form of trapping or a rough form of grappling and occurs when the distance between both fighters has closed and straight punches cannot be employed. In this situation, the boxer attempts to hold or "tie up" the opponent's hands so he is unable to throw hooks or uppercuts. To perform a clinch, the boxer loops both hands around the outside of the opponent's shoulders, scooping back under the forearms to grasp the opponent's arms tightly against his own body. In this position, the opponent's arms are pinned and cannot be used to attack. Clinching is a temporary match state and is quickly dissipated by the referee. Clinching is technically against the rules, and in amateur fights points are deducted fairly quickly for it. It is unlikely, however, to see points deducted for a clinch in professional boxing. Less common strategies The "rope-a-dope" strategy : Used by Muhammad Ali in his 1974 "the Rumble in the Jungle" bout against George Foreman, the rope-a-dope method involves lying back against the ropes, covering up defensively as much as possible and allowing the opponent to attempt numerous punches. The back-leaning posture, which does not cause the defending boxer to become as unbalanced as he would during normal backward movement, also maximizes the distance of the defender's head from his opponent, increasing the probability that punches will miss their intended target. Weathering the blows that do land, the defender lures the opponent into expending energy while conserving his/her own. If successful, the attacking opponent will eventually tire, creating defensive flaws which the boxer can exploit. In modern boxing, the rope-a-dope is generally discouraged since most opponents are not fooled by it and few boxers possess the physical toughness to withstand a prolonged, unanswered assault. Recently, however, eight-division world champion Manny Pacquiao skillfully used the strategy to gauge the power of welterweight titlist Miguel Cotto in November 2009. Pacquiao followed up the rope-a-dope gambit with a withering knockdown. Bolo punch : Occasionally seen in Olympic boxing, the bolo is an arm punch which owes its power to the shortening of a circular arc rather than to transference of body weight; it tends to have more of an effect due to the surprise of the odd angle it lands at rather than the actual power of the punch. This is more of a gimmick than a technical maneuver; this punch is not taught, being on the same plane in boxing technicality as is the Ali shuffle. Nevertheless, a few professional boxers have used the bolo-punch to great effect, including former welterweight champions Sugar Ray Leonard, and Kid Gavilan. Middleweight champion Ceferino Garcia is regarded as the inventor of the bolo punch. Overhand right : The overhand right is a punch not found in every boxer's arsenal. Unlike the right cross, which has a trajectory parallel to the ground, the overhand right has a looping circular arc as it is thrown over the shoulder with the palm facing away from the boxer. It is especially popular with smaller stature boxers trying to reach taller opponents. Boxers who have used this punch consistently and effectively include former heavyweight champions Rocky Marciano and Tim Witherspoon, as well as MMA champions Chuck Liddell and Fedor Emelianenko. The overhand right has become a popular weapon in other tournaments that involve fist striking. Check hook : A check hook is employed to prevent aggressive boxers from lunging in. There are two parts to the check hook. The first part consists of a regular hook. The second, trickier part involves the footwork. As the opponent lunges in, the boxer should throw the hook and pivot on his left foot and swing his right foot 180 degrees around. If executed correctly, the aggressive boxer will lunge in and sail harmlessly past his opponent like a bull missing a matador. This is rarely seen in professional boxing as it requires a great disparity in skill level to execute. Technically speaking it has been said that there is no such thing as a check hook and that it is simply a hook applied to an opponent that has lurched forward and past his opponent who simply hooks him on the way past. Others have argued that the check hook exists but is an illegal punch due to it being a pivot punch which is illegal in the sport. Floyd Mayweather, Jr. employed the use of a check hook against Ricky Hatton, which sent Hatton flying head first into the corner post and being knocked down.

Boxing Rules The Marquess of Queensberry rules have been the general rules governing modern boxing since their publication in 1867. A boxing match typically consists of a determined number of three-minute rounds, a total of up to 9 to 12 rounds. A minute is typically spent between each round with the fighters in their assigned corners receiving advice and attention from their coach and staff. The fight is controlled by a referee who works within the ring to judge and control the conduct of the fighters, rule on their ability to fight safely, count knocked-down fighters, and rule on fouls. Up to three judges are typically present at ringside to score the bout and assign points to the boxers, based on punches that connect, defense, knockdowns, and other, more subjective, measures. Because of the open-ended style of boxing judging, many fights have controversial results, in which one or both fighters believe they have been "robbed" or unfairly denied a victory. Each fighter has an assigned corner of the ring, where his or her coach, as well as one or more "seconds" may administer to the fighter at the beginning of the fight and between rounds. Each boxer enters into the ring from their assigned corners at the beginning of each round and must cease fighting and return to their corner at the signaled end of each round. A bout in which the predetermined number of rounds passes is decided by the judges, and is said to "go the distance". The fighter with the higher score at the end of the fight is ruled the winner. With three judges, unanimous and split decisions are possible, as are draws. A boxer may win the bout before a decision is reached through a knock-out ; such bouts are said to have ended "inside the distance". If a fighter is knocked down during the fight, determined by whether the boxer touches the canvas floor of the ring with any part of their body other than the feet as a result of the opponent's punch and not a slip, as determined by the referee, the referee begins counting until the fighter returns to his or her feet and can continue. Should the referee count to ten, then the knocked-down boxer is ruled "knocked out" (whether unconscious or not) and the other boxer is ruled the winner by knockout (KO). A "technical knock-out" (TKO) is possible as well, and is ruled by the referee, fight doctor, or a fighter's corner if a fighter is unable to safely continue to fight, based upon injuries or being judged unable to effectively defend themselves. Many jurisdictions and sanctioning agencies also have a "three-knockdown rule", in which three knockdowns in a given round result in a TKO. A TKO is considered a knockout in a fighter's record. A "standing eight" count rule may also be in effect. This gives the referee the right to step in and administer a count of eight to a fighter that he feels may be in danger, even if no knockdown has taken place. After counting the referee will observe the fighter, and decide if he is fit to continue. For scoring purposes, a standing eight count is treated as a knockdown. In general, boxers are prohibited from hitting below the belt, holding, tripping, pushing, biting, or spitting. The boxer's shorts are raised so the opponent is not allowed to hit to the groin area with intent to cause pain or injury. Failure to abide by the former may result in a foul. They also are prohibited from kicking, head-butting, or hitting with any part of the arm other than the knuckles of a closed fist (including hitting with the elbow, shoulder or forearm, as well as with open gloves, the wrist, the inside, back or side of the hand). They are prohibited as well from hitting the back, back of the neck or head (called a "rabbit-punch") or the kidneys. They are prohibited from holding the ropes for support when punching, holding an opponent while punching, or ducking below the belt of their opponent (dropping below the waist of your opponent, no matter the distance between). If a "clinch" – a defensive move in which a boxer wraps his or her opponents arms and holds on to create a pause – is broken by the referee, each fighter must take a full step back before punching again (alternatively, the referee may direct the fighters to "punch out" of the clinch). When a boxer is knocked down, the other boxer must immediately cease fighting and move to the furthest neutral corner of the ring until the referee has either ruled a knockout or called for the fight to continue. Violations of these rules may be ruled "fouls" by the referee, who may issue warnings, deduct points, or disqualify an offending boxer, causing an automatic loss, depending on the seriousness and intentionality of the foul. An intentional foul that causes injury that prevents a fight from continuing usually causes the boxer who committed it to be disqualified. A fighter who suffers an accidental low-blow may be given up to five minutes to recover, after which they may be ruled knocked out if they are unable to continue. Accidental fouls that cause injury ending a bout may lead to a "no contest" result, or else cause the fight to go to a decision if enough rounds (typically four or more, or at least three in a four-round fight) have passed. Unheard of these days, but common during the early 20th Century in North America, a "newspaper decision (NWS)" might be made after a no decision bout had ended. A "no decision" bout occurred when, by law or by pre-arrangement of the fighters, if both boxers were still standing at the fight's conclusion and there was no knockout, no official decision was rendered and neither boxer was declared the winner. But this did not prevent the pool of ringside newspaper reporters from declaring a consensus result among themselves and printing a newspaper decision in their publications. Officially, however, a "no decision" bout resulted in neither boxer winning or losing. Boxing historians sometimes use these unofficial newspaper decisions in compiling fight records for illustrative purposes only. Often, media outlets covering a match will personally score the match, and post their scores as an independent sentence in their report.

Boxing History Ancient history The earliest known depiction of boxing comes from a Sumerian relief in Iraq from the 3rd millennium BCE Later depictions from the 2nd millennium BC are found in reliefs from the Mesopotamian nations of Assyria and Babylonia, and in Hittite art from Asia Minor. The earliest evidence for fist fighting with any kind of gloves can be found on Minoan Crete (c.1650–1400 BCE), and on Sardinia, if we consider the boxing statues of Prama mountains (c. 2000–1000 BC). Boxing was a popular spectator sport in Ancient Rome. In order for the fighters to protect themselves against their opponents they wrapped leather thongs around their fists. Eventually harder leather was used and the thong soon became a weapon. The Romans even introduced metal studs to the thongs to make the cestus which then led to a more sinister weapon called the myrmex ('limb piercer'). Fighting events were held at Roman Amphitheatres. The Roman form of boxing was often a fight until death to please the spectators who gathered at such events. However, especially in later times, purchased slaves and trained combat performers were valuable commodities, and their lives were not given up without due consideration. Often slaves were used against one another in a circle marked on the floor. This is where the term ring came from. In AD 393, during the Roman gladiator period, boxing was abolished due to excessive brutality. It was not until the late 17th century that boxing re-surfaced in London. Early London prize ring rules Records of Classical boxing activity disappeared after the fall of the Western Roman Empire when the wearing of weapons became common once again and interest in fighting with the fists waned. However, there are detailed records of various fist-fighting sports that were maintained in different cities and provinces of Italy between the 12th and 17th centuries. There was also a sport in ancient Rus called Kulachniy Boy or "Fist Fighting". As the wearing of swords became less common, there was renewed interest in fencing with the fists. The sport would later resurface in England during the early 16th century in the form of bare-knuckle boxing sometimes referred to as prizefighting. The first documented account of a bare-knuckle fight in England appeared in 1681 in the London Protestant Mercury, and the first English bare-knuckle champion was James Figg in 1719. This is also the time when the word "boxing" first came to be used. It should be noted, that this earliest form of modern boxing was very different. Contests in Mr. Figg's time, in addition to fist fighting, also contained fencing and cudgeling. On 6 January 1681, the first recorded boxing match took place in Britain when Christopher Monck, 2nd Duke of Albemarle (and later Lieutenant Governor of Jamaica) engineered a bout between his butler and his butcher with the latter winning the prize. Early fighting had no written rules. There were no weight divisions or round limits, and no referee. In general, it was extremely chaotic. An early article on boxing was published in Nottingham, 1713, by Sir Thomas Parkyns, a successful Wrestler from Bunny, Nottinghamshire, who had practised the techniques he described. The article, a single page in his manual of wrestling and fencing, Progymnasmata: The inn-play, or Cornish-hugg wrestler, described a system of headbutting, punching, eye-gouging, chokes, and hard throws, not recognized in boxing today. The first boxing rules, called the Broughton's rules, were introduced by champion Jack Broughton in 1743 to protect fighters in the ring where deaths sometimes occurred. Under these rules, if a man went down and could not continue after a count of 30 seconds, the fight was over. Hitting a downed fighter and grasping below the waist were prohibited. Broughton encouraged the use of 'mufflers', a form of padded bandage or mitten, to be used in 'jousting' or sparring sessions in training, and in exhibition matches. These rules did allow the fighters an advantage not enjoyed by today's boxers; they permitted the fighter to drop to one knee to begin a 30-second count at any time. Thus a fighter realizing he was in trouble had an opportunity to recover. However, this was considered "unmanly" and was frequently disallowed by additional rules negotiated by the Seconds of the Boxers. Intentionally going down in modern boxing will cause the recovering fighter to lose points in the scoring system. Furthermore, as the contestants did not have heavy leather gloves and wristwraps to protect their hands, they used different punching technique to preserve their hands, because the head was a common target to hit full out. Almost all period manuals have powerful straight punches with the whole body behind them to the face (including forehead) as the basic blows. Marquess of Queensberry rules (1867) In 1867, the Marquess of Queensberry rules were drafted by John Chambers for amateur championships held at Lillie Bridge in London for Lightweights, Middleweights and Heavyweights. The rules were published under the patronage of the Marquess of Queensberry, whose name has always been associated with them. There were twelve rules in all, and they specified that fights should be "a fair stand-up boxing match" in a 24-foot-square or similar ring. Rounds were three minutes with one-minute rest intervals between rounds. Each fighter was given a ten-second count if he was knocked down, and wrestling was banned. The introduction of gloves of "fair-size" also changed the nature of the bouts. An average pair of boxing gloves resembles a bloated pair of mittens and are laced up around the wrists. The gloves can be used to block an opponent's blows. As a result of their introduction, bouts became longer and more strategic with greater importance attached to defensive maneuvers such as slipping, bobbing, countering and angling. Because less defensive emphasis was placed on the use of the forearms and more on the gloves, the classical forearms outwards, torso leaning back stance of the bare knuckle boxer was modified to a more modern stance in which the torso is tilted forward and the hands are held closer to the face. Late 19th and early 20th centuries Through the late nineteenth century, the martial art of boxing or prizefighting was primarily a sport of dubious legitimacy. Outlawed in England and much of the United States, prizefights were often held at gambling venues and broken up by police. Brawling and wrestling tactics continued, and riots at prizefights were common occurrences. Still, throughout this period, there arose some notable bare knuckle champions who developed fairly sophisticated fighting tactics. The English case of R v. Coney in 1882 found that a bare-knuckle fight was an assault occasioning actual bodily harm, despite the consent of the participants. This marked the end of widespread public bare-knuckle contests in England. The first world heavyweight champion under the Queensberry Rules was "Gentleman Jim" Corbett, who defeated John L. Sullivan in 1892 at the Pelican Athletic Club in New Orleans. The first instance of film censorship in the United States occurred in 1897 when several states banned the showing of prize fighting films from the state of Nevada, where it was legal at the time. Throughout the early twentieth century, boxers struggled to achieve legitimacy. They were aided by the influence of promoters like Tex Rickard and the popularity of great champions such as John L. Sullivan.

Taekwondo Competition Taekwondo competition typically involves sparring, breaking, patterns, and self-defense (hosinsul). In Olympic taekwondo competition, however, only sparring (using WTF competition rules) is performed. There are two kinds of competition sparring: point sparring, in which all strikes are light contact and the clock is stopped when a point is scored; and Olympic sparring, where all strikes are full contact and the clock continues when points are scored. Sparring involves a Hogu, or a chest protector, which muffles any kick's damage to avoid serious injuries. Helmets and other gear is provided as well. Though other systems may vary, a common point system works like this: One point for a regular kick to the Hogu, two for a turning behind kick, three for a back kick, and four for a spinning kick to the head. World Taekwondo Federation Under World Taekwondo Federation and Olympic rules, sparring is a full-contact event and takes place between two competitors in an area measuring 8 meters square. A win can occur by points, or if one competitor is unable to continue (knockout). Each match consists of three semi-continuous rounds of contact, with one minute rest between rounds. Competitors must wear a hogu, head protector, shin pads, foot socks, forearm guards, hand gloves, a mouthpiece, and a groin cup (males only). Many large tournaments sanctioned by national governing bodies or the WTF, including the Olympics, use electronic hogus, electronic foot socks, and electronic head protectors. Points are awarded for permitted, accurate, and powerful techniques delivered to the legal scoring areas; light contact does not score any points. The only techniques allowed are kicks (delivering a strike using an area of the foot below the ankle) and punches (delivering a strike using the closed fist). In most competitions, points are awarded by three corner judges using electronic scoring tallies. Several A-Class tournaments, however, are now experimenting with electronic scoring equipment contained within the competitors' body protectors. This limits corner judges to scoring only attacks to the head. Some believe that the new electronic scoring system will help to reduce controversy concerning judging decisions, but this technology is still not universally accepted. Beginning in 2009, a kick or punch that makes contact with the opponent's hogu (the body guard that functions as a scoring target) scores one point. (The trunk protector is referred to as a momtong pohodae ?? ??? or trunk guard in the WTF rules.) If a kick to the hogu involves a technique that includes fully turning the attacking competitor's body, so that the back is fully exposed to the targeted competitor during execution of the technique (spinning kick), three points are awarded. A kick to the head scores three points; as of October 2010 an additional point is awarded if a turning kick was used to execute this attack. Punches to the head are not allowed. As of March 2010, no additional points are awarded for knocking down an opponent (beyond the normal points awarded for legal strikes). The referee can give penalties at any time for rule-breaking, such as hitting an area not recognized as a target, usually the legs or neck. Penalties are divided into "Kyong-go" (warning penalty) and "Gam-jeom" (deduction penalty). Two "Kyong-go" are counted as an addition of one point for the opposing contestant. However, the final odd-numbered "Kyong-go" is not counted in the grand total. At the end of three rounds, the competitor with most points wins the match. In the event of a tie, a fourth "sudden death" overtime round, sometimes called a "Golden Point", is held to determine the winner after a one-minute rest period. In this round, the first competitor to score a point wins the match. If there is no score in the additional round, the winner is decided by superiority, as determined by the refereeing officials. or number of fouls committed during that round. Until 2008, if one competitor gained a 7-point lead over the other, or if one competitor reached a total of 12 points, then that competitor was immediately declared the winner and the match ended. These rules were abolished by the WTF at the start of 2009. In October 2010 the WTF reintroduced a point-gap rule, stating that if a competitor has a 12-point lead at the end of the second round or achieves a 12-point lead at any point in the third round, then the match is over and that competitor is declared the winner. USA Taekwondo is the officially recognized National Governing Body for Taekwondo for the United States Olympic Committee (USOC), and the official Member National Association of the World Taekwondo Federation. The World Taekwondo Federation directly sanctions the following competitions: WTF World Taekwondo Poomsae Championships WTF World Taekwondo Championships WTF World Taekwondo Cadet Championships WTF World Taekwondo Junior Championships WTF World Taekwondo Team Championships WTF World Taekwondo Para Championships WTF World Taekwondo Grand-Prix WTF World Taekwondo Beach Championships Olympic Games International Taekwon-Do Federation The International Taekwon-Do Federation's sparring rules are similar to the WTF's rules, but differ in several aspects. Hand and foot attacks to the head are allowed. The scoring system is: 1 point for: Punch to the body or head. 2 points for: Jumping kick to the body or kick to the head 3 points for: Jumping kick to the head The competition area may vary between 10×10 meters and 20×20 meters in international championships. Competitors do not wear the hogu (although they are required to wear approved foot and hand protection equipment, as well as optional head guards). This scoring system varies between individual organisations within the ITF; for example, in the TAGB, punches to the head or body score 1 point, kicks to the body score 2 points, and kicks to the head score 3 points. A continuous point system is utilized in ITF competition, where the fighters are allowed to continue after scoring a technique. Excessive contact are generally not allowed according to the official ruleset, and judges penalize any competitor with disqualification if they injure their opponent and he can no longer continue (although these rules vary between ITF organizations). At the end of two minutes (or some other specified time), the competitor with more scoring techniques wins. Fouls in ITF sparring include: attacking a fallen opponent, leg sweeping, holding/grabbing, or intentional attack to a target other than the opponent. ITF competitions also feature performances of patterns, breaking, and 'special techniques' (where competitors perform prescribed board breaks at great heights). Other organizations American Amateur Athletic Union (AAU) competitions are very similar, except that different styles of pads and gear are allowed. Apart from WTF and ITF tournaments, major taekwondo competitions (all featuring WTF taekwondo only) include: Universiade Asian Games African Games European Games Pan American Games Pacific Games Taekwondo is also an optional sport at the Commonwealth Games.

Taekwondo History Beginning in 1945, shortly after the end of the occupation of Korea by Imperial Japan, new martial arts schools called kwans were opened in Seoul. These schools were established by Korean martial artists who had studied primarily in Japan during the Japanese rule. The umbrella term traditional taekwondo typically refers to the martial arts practiced by the kwans during the 1940s and 1950s, though in reality the term "taekwondo" had not yet been coined at that time, and indeed each kwan was practicing their own unique style of martial art. During this timeframe taekwondo was also adopted for use by the South Korean military, which increased its popularity among civilian martial arts schools. After witnessing a martial arts demonstration by the military in 1952, South Korean President Syngman Rhee urged that the martial arts styles of the kwans be merged. Beginning in 1955 the leaders of the kwans began discussing in earnest the possibility of creating a unified style of Korean martial art. The name Tae Soo Do was used to describe this notional unified style. This name consists of the hanja ? tae "to stomp, trample", ? su "hand" and ? do "way, discipline". Choi Hong Hi advocated the use of the name Tae Kwon Do, i.e. replacing su "hand" by ? kwon "fist", the term also used for "martial arts" in Chinese (pinyin quán). The new name was initially slow to catch on among the leaders of the kwans. In 1959 the Korea Taekwondo Association (KTA) was established to facilitate the unification of Korean martial arts. In 1966, Choi established the International Taekwon-Do Federation (ITF) as a separate governing body devoted to institutionalizing a common style of taekwondo. Cold War politics of the 1960s and 1970s complicated the adoption of ITF-style taekwondo as a unified style, however. The South Korean government wished to avoid North Korean influence on the martial art. Conversely, ITF president Choi Hong Hi sought support for the martial art from all quarters, including North Korea. In response, in 1973 South Korea withdrew its support for the ITF. The ITF continued to function as an independent federation, then headquartered in Toronto, Canada; Choi continued to develop the ITF-style, notably with the 1987 publication of his Encyclopedia of Taekwondo. After Choi's retirement the ITF split in 2001 and then again in 2002 to create three separate federations each of which continues to operate today under the same name. In 1973 the South Korean government's Ministry of Culture, Sports and Tourism established the Kukkiwon as the new national academy for taekwondo. Kukkiwon now served many of the functions previously served by the KTA, in terms of defining a government-sponsored unified style of taekwondo. In 1973 the KTA supported the establishment of the World Taekwondo Federation (WTF) to promote taekwondo specifically as an international sport. WTF competitions employ Kukkiwon-style taekwondo. For this reason, Kukkiwon-style taekwondo is often referred to as WTF-style taekwondo, sport-style taekwondo, or Olympic-style taekwondo, though in reality the style is defined by the Kukkiwon, not the WTF. Since 2000, taekwondo has been one of only two Asian martial arts (the other being judo) that are included in the Olympic Games. It became a demonstration event at the 1988 games in Seoul, and became an official medal event at the 2000 games in Sydney. In 2010, taekwondo was accepted as a Commonwealth Games sport.

Karate History Karate began as a common fighting system known as te (Okinawan: ti) among the Pechin class of the Ryukyuans. After trade relationships were established with the Ming dynasty of China by King Satto of Ch?zan in 1372, some forms of Chinese martial arts were introduced to the Ryukyu Islands by the visitors from China, particularly Fujian Province. A large group of Chinese families moved to Okinawa around 1392 for the purpose of cultural exchange, where they established the community of Kumemura and shared their knowledge of a wide variety of Chinese arts and sciences, including the Chinese martial arts. The political centralization of Okinawa by King Sh? Hashi in 1429 and the policy of banning weapons by King Sh? Shin in 1477, later enforced in Okinawa after the invasion by the Shimazu clan in 1609, are also factors that furthered the development of unarmed combat techniques in Okinawa. There were few formal styles of te, but rather many practitioners with their own methods. One surviving example is the Motobu-ry? school passed down from the Motobu family by Seikichi Uehara. Early styles of karate are often generalized as Shuri-te, Naha-te, and Tomari-te, named after the three cities from which they emerged. Each area and its teachers had particular kata, techniques, and principles that distinguished their local version of te from the others. Members of the Okinawan upper classes were sent to China regularly to study various political and practical disciplines. The incorporation of empty-handed Chinese Kung Fu into Okinawan martial arts occurred partly because of these exchanges and partly because of growing legal restrictions on the use of weaponry. Traditional karate kata bear a strong resemblance to the forms found in Fujian martial arts such as Fujian White Crane, Five Ancestors, and Gangrou-quan (Hard Soft Fist; pronounced "G?j?ken" in Japanese). Many Okinawan weapons such as the sai, tonfa, and nunchaku may have originated in and around Southeast Asia. Sakukawa Kanga (1782–1838) had studied pugilism and staff (bo) fighting in China (according to one legend, under the guidance of Kosokun, originator of kusanku kata). In 1806 he started teaching a fighting art in the city of Shuri that he called "Tudi Sakukawa," which meant "Sakukawa of China Hand." This was the first known recorded reference to the art of "Tudi," written as ??. Around the 1820s Sakukawa's most significant student Matsumura S?kon (1809–1899) taught a synthesis of te (Shuri-te and Tomari-te) and Shaolin (Chinese ??) styles. Matsumura's style would later become the Sh?rin-ry? style. Matsumura taught his art to Itosu Ank? (1831–1915) among others. Itosu adapted two forms he had learned from Matsumara. These are kusanku and chiang nan. He created the ping'an forms ("heian" or "pinan" in Japanese) which are simplified kata for beginning students. In 1901 Itosu helped to get karate introduced into Okinawa's public schools. These forms were taught to children at the elementary school level. Itosu's influence in karate is broad. The forms he created are common across nearly all styles of karate. His students became some of the most well-known karate masters, including Gichin Funakoshi, Kenwa Mabuni, and Motobu Ch?ki. Itosu is sometimes referred to as "the Grandfather of Modern Karate." In 1881 Higaonna Kanry? returned from China after years of instruction with Ryu Ryu Ko and founded what would become Naha-te. One of his students was the founder of Goj?-ry?, Ch?jun Miyagi. Ch?jun Miyagi taught such well-known karateka as Seko Higa (who also trained with Higaonna), Meitoku Yagi, Miyazato Ei'ichi, and Seikichi Toguchi, and for a very brief time near the end of his life, An'ichi Miyagi (a teacher claimed by Morio Higaonna). In addition to the three early te styles of karate a fourth Okinawan influence is that of Kanbun Uechi (1877–1948). At the age of 20 he went to Fuzhou in Fujian Province, China, to escape Japanese military conscription. While there he studied under Shushiwa. He was a leading figure of Chinese Nanpa Shorin-ken style at that time. He later developed his own style of Uechi-ry? karate based on the Sanchin, Seisan, and Sanseiryu kata that he had studied in China.

Jet Li Acting career Chinese films The fame gained by his sports winnings led to a career as a martial arts film star, beginning in mainland China and then continuing into Hong Kong. Li acquired his screen name in 1982 in the Philippines when a publicity company thought his real name was too hard to pronounce. They likened his career to an aircraft, which likewise "takes-off" as quickly, so they placed the name Jet Li on the movie posters. Soon everybody was calling him by this new name, which was also based on the nickname, "Jet," given to him as a young student, due to his speed and grace when training with the Beijing Wushu team. He made his debut with the 1982 film Shaolin Temple. Some of his more famous Chinese films include: The Shaolin Temple series (1, 2 and 3), which are considered to be the films which sparked the rebirth of the real Shaolin Temple in Dengfeng, China; The Once Upon a Time in China series (Chinese title: Wong Fei Hung), about the legendary Chinese folk hero Master Wong Fei Hung. Fist of Legend (Chinese title: Jing Wu Ying Xiong), a remake of Bruce Lee's Fist of Fury. The Fong Sai Yuk films about another Chinese folk hero. Li starred in the 1995 film High Risk, where Jet Li plays a Captain who becomes disillusioned after his wife is murdered by crime lords. Along the way, he pairs up with a wacky sell-out actor, Frankie (played by Jacky Cheung), and proceeds to engage in a series of violent battles in a high-rise building. The setting is similar to that of Die Hard and both their Chinese film titles. This movie is notable in that director Wong Jing had such a terrible experience working with Jackie Chan in Jing's previous film City Hunter that he chose to make Cheung's character a biting satire of Chan. Jet Li would later publicly apologise to Chan for taking part in it. Li had two wuxia feature films released in 2011, The Sorcerer and the White Snake and Flying Swords of Dragon Gate; the latter was helmed by Tsui Hark. To promote tai chi, in 2012 Jet Li starred in a film titled Tai Chi and co-produced the movie with Chen Kuo-Fu. Li portrayed Tai Chi master Yang Lu-ch'an. American films In 1998, he made his American film debut in Lethal Weapon 4 which also marked the first time he had ever played a villain in a film. He agreed to do Lethal Weapon 4 after the producer Joel Silver promised to give him the leading role in his next film, Romeo Must Die (2000), alongside late singer Aaliyah. The film became a box office hit. Though Li spoke very little English at the time of production, his performance as Chinese mafia hitman Wah Sing Ku was praised. Li turned down Chow Yun-fat's role in Crouching Tiger, Hidden Dragon (2000) because he promised his wife that he would not make any films during her pregnancy. He also turned down the role of Seraph in The Matrix trilogy, based on his belief that the role was not one which required his skills and that the films were iconic and stunning enough without adding his name to the cast list. In 2001, he appeared in two more Hollywood films: The One, which was the first of his films with Jason Statham, and Kiss of the Dragon opposite Bridget Fonda which did moderately well at the box office. In July 2001, Li agreed to produce and star in an action film with Jackie Chan which was to be released in 2002 or 2003, but no further news of their collaboration surfaced until 2006. In 2002, the period martial arts epic film Hero was released in the Chinese market. This film was both a commercial and critical success and became the highest-grossing motion picture in Chinese film history at the time. In 2003 he reunited with producer Joel Silver for the action thriller film Cradle 2 the Grave where he starred alongside rapper DMX and fellow martial artist Mark Dacascos. In 2004, Li lent his likeness, voice and provided motion capture work for the video game Jet Li: Rise to Honor. Li took on a more serious role in the 2005 film, Unleashed (a.k.a. Danny the Dog), where he portrayed an adult with the mentality of a child who has been raised like an animal. Although his martial arts skills were used extensively, it was a somber film with more depth than had been previously seen in Li's films, and co-starred dramatic actors Bob Hoskins and Morgan Freeman. In 2006, the martial arts film epic Fearless, was released worldwide. Although he will continue to make martial arts films, Fearless is his last wushu epic. In Fearless, he played Huo Yuanjia, the real-life founder of Chin Woo Athletic Association, who reportedly defeated foreign boxers and Japanese martial artists in publicised events at a time when China's power was seen as eroding. Together with the film Fist of Legend, Li has portrayed both Chen Jun, the student and avenger of Huo Yuanjia (a.k.a. Fok Yun Gap), as well as Huo Yuanjia himself. Fearless was released on 26 January 2006 in Hong Kong, followed by a 22 September 2006 release in the United States where it reached second place in its first weekend. I stepped into the martial arts movie market when I was only 16. I think I have proved my ability in this field and it won't make sense for me to continue for another five or 10 years. Huo Yuanjia is a conclusion to my life as a martial arts star. Li has stated in an interview with the Shenzhen Daily newspaper that this will be his last martial arts epic, which is also stated in the film's television promotions. However, he plans to continue his film career in other genres. Specifically, he plans to continue acting in epic action and martial arts films dealing more with religious and philosophical issues. Li's 2007 Hollywood film, War, was released in August of that year, and re-teamed him with actor Jason Statham, who previously starred with him in The One, and action choreographer Corey Yuen. War raked in a disappointing $23 million at the box office, becoming one of Li's lowest grossers in America; however, it was a hit on video, accumulating nearly $52 million in rental revenue, more than doubling its box office take. With the exception of Romeo Must Die and the worldwide release of Hero, most of Li's American films have been only modest hits like Kiss of the Dragon, The One, Unleashed, Cradle 2 the Grave, and the worldwide release of Fearless. In late 2007, Li returned again to China to participate in the China/Hong Kong co-production of the period war film The Warlords with Andy Lau and Takeshi Kaneshiro. This film with its focus on dramatics rather than martial arts netted Li the Hong Kong Film Award for Best Actor. Li and fellow martial arts veteran Jackie Chan finally appeared together onscreen for the first time in The Forbidden Kingdom, which began filming in May 2007 and was released to critical and commercial success on 18 April 2008. The film was based on the legend of the Monkey King from the Chinese folk novel Journey to the West. Li also starred as the lead villain in the fantasy action film The Mummy: Tomb of the Dragon Emperor with actors Brendan Fraser, Isabella Leong and Michelle Yeoh. After a one-year hiatus from filmmaking, Jet Li returned to acting in 2010, portraying a mercenary in the film The Expendables, teaming up with action stars Sylvester Stallone, Jason Statham, Dolph Lundgren, Mickey Rourke, Eric Roberts, Steve Austin, Terry Crews, and Randy Couture. It was the third time he had teamed up with Statham. In 2012, he reprised his role briefly in the sequel The Expendables 2 and returned for the third film The Expendables 3 in 2014. Li was initially stated to be appearing with Vin Diesel in xXx: The Return of Xander Cage, but according to a Facebook post by Diesel, Li has been replaced by Donnie Yen.

Jet Li Early life and Martial Arts Career Li was born in Beijing, China, as the youngest of two boys and two girls. His father died when he was two years old, leaving the family struggling. Li was eight when his talent for wushu was noticed at a summer course at school, and he began his practice there. Li participated in the sport of wushu in the non-sparring event. He began his wushu on the Beijing Wushu Team, an athletic group organised to perform martial arts forms during the All China Games. He was coached by renowned wushu coaches Li Junfeng and Wu Bin, who made extra efforts to help the talented boy develop. Wu Bin even bought food for Li's family because they could not afford to buy meat, which was essential for the good physical condition of an athlete. As a member of the team, he received wushu training and went on to win fifteen gold medals and one silver medal in Chinese wushu championships, where, despite his young age, he competed against adults. According to Li, once, as a child, when the Chinese National Wushu Team went to perform for President Richard Nixon in the United States, he was asked by Nixon to be his personal bodyguard. Li replied, "I don't want to protect any individual. When I grow up, I want to defend my one billion Chinese countrymen!" Li is a master of several styles of wushu, especially Changquan (Northern Longfist Style) and Fanziquan (Tumbling fist). He has also studied other arts including Baguazhang (Eight trigram palm), Taijiquan (Supreme ultimate fist), Xingyiquan (Shape intent fist), Zuiquan (Drunken fist), Yingzhaoquan (Eagle claw fist) and Tanglangquan (Praying mantis fist). He did not learn Nanquan (Southern fist), because his training focused only in the Northern Shaolin Styles. He has also studied some of wushu's main weapons, such as Sanjiegun (Three section staff), Gun, Dao (Broadsword), Jian (Straight sword) and many more. It is Jet Li's authentic martial arts prowess that enabled his rise to domestic and international fame.

Jackie Chan Film career Early exploits: 1976–1979 Jackie Chan began his film career as a stuntman in the Bruce Lee films Fist of Fury (1972) and Enter the Dragon (1973, pictured). In 1976, Jackie Chan received a telegram from Willie Chan, a film producer in the Hong Kong film industry who had been impressed with Jackie's stunt work. Willie Chan offered him an acting role in a film directed by Lo Wei. Lo had seen Chan's performance in the John Woo film Hand of Death (1976) and planned to model him after Bruce Lee with the film New Fist of Fury. His stage name was changed to Sing Lung (Chinese: ??, also transcribed as Cheng Long, literally "become the dragon") to emphasise his similarity to Bruce Lee, whose stage name meant "Little Dragon" in Chinese. The film was unsuccessful because Chan was not accustomed to Lee's martial arts style. Despite the film's failure, Lo Wei continued producing films with similar themes, but with little improvement at the box office. Chan's first major breakthrough was the 1978 film Snake in the Eagle's Shadow, shot while he was loaned to Seasonal Film Corporation under a two-picture deal. Director Yuen Woo-ping allowed Chan complete freedom over his stunt work. The film established the comedic kung fu genre, and proved refreshing to the Hong Kong audience. Chan then starred in Drunken Master, which finally propelled him to mainstream success. Upon Chan's return to Lo Wei's studio, Lo tried to replicate the comedic approach of Drunken Master, producing Half a Loaf of Kung Fu and Spiritual Kung Fu. He also gave Chan the opportunity to co-direct The Fearless Hyena with Kenneth Tsang. When Willie Chan left the company, he advised Jackie to decide for himself whether or not to stay with Lo Wei. During the shooting of Fearless Hyena Part II, Chan broke his contract and joined Golden Harvest, prompting Lo to blackmail Chan with triads, blaming Willie for his star's departure. The dispute was resolved with the help of fellow actor and director Jimmy Wang Yu, allowing Chan to stay with Golden Harvest. Success in the action comedy genre: 1980–1987 Willie Chan became Jackie's personal manager and firm friend, and has remained so for over 30 years. He was instrumental in launching Chan's international career, beginning with his first forays into the American film industry in the 1980s. His first Hollywood film was The Big Brawl in 1980. Chan then played a minor role in the 1981 film The Cannonball Run, which grossed $100 million worldwide. Despite being largely ignored by audiences in favour of established American actors such as Burt Reynolds, Chan was impressed by the outtakes shown at the closing credits, inspiring him to include the same device in his future films. After the commercial failure of The Protector in 1985, Chan temporarily abandoned his attempts to break into the US market, returning his focus to Hong Kong films. Back in Hong Kong, Chan's films began to reach a larger audience in East Asia, with early successes in the lucrative Japanese market including The Young Master (1980) and Dragon Lord (1982). The Young Master went on to beat previous box office records set by Bruce Lee and established Chan as Hong Kong cinema's top star. With Dragon Lord, he began experimenting with elaborate stunt action sequences, including the final fight scene where he performs various stunts, including one where he does a back flip off a loft and falls to the lower ground. Chan produced a number of action comedy films with his opera school friends Sammo Hung and Yuen Biao. The three co-starred together for the first time in 1983 in Project A, which introduced a dangerous stunt-driven style of martial arts that won it the Best Action Design Award at the third annual Hong Kong Film Awards. Over the following two years, the "Three Brothers" appeared in Wheels on Meals and the original Lucky Stars trilogy. In 1985, Chan made the first Police Story film, a US-influenced action comedy in which Chan performed a number of dangerous stunts. It was named the "Best Film" at the 1986 Hong Kong Film Awards. In 1986, Chan played "Asian Hawk," an Indiana Jones-esque character, in the film Armour of God. The film was Chan's biggest domestic box office success up to that point, grossing over HK$35 million. Acclaimed sequels and Hollywood breakthrough: 1988–1998 In 1988, Chan starred alongside Sammo Hung and Yuen Biao for the last time to date, in the film Dragons Forever. Hung co-directed with Corey Yuen, and the villain in the film was played by Yuen Wah, both of whom were fellow graduates of the China Drama Academy. In the late 1980s and early 1990s, Chan starred in a number of successful sequels beginning with Project A Part II and Police Story 2, which won the award for Best Action Choreography at the 1989 Hong Kong Film Awards. This was followed by Armour of God II: Operation Condor, and Police Story 3: Super Cop, for which Chan won the Best Actor Award at the 1993 Golden Horse Film Festival. In 1994, Chan reprised his role as Wong Fei-hung in Drunken Master II, which was listed in Time Magazine's All-Time 100 Movies. Another sequel, Police Story 4: First Strike, brought more awards and domestic box office success for Chan, but did not fare as well in foreign markets. Chan rekindled his Hollywood ambitions in the 1990s, but refused early offers to play villains in Hollywood films to avoid being typecast in future roles. For example, Sylvester Stallone offered him the role of Simon Phoenix, a criminal in the futuristic film Demolition Man. Chan declined and the role was taken by Wesley Snipes. Chan finally succeeded in establishing a foothold in the North American market in 1995 with a worldwide release of Rumble in the Bronx, attaining a cult following in the United States that was rare for Hong Kong movie stars. The success of Rumble in the Bronx led to a 1996 release of Police Story 3: Super Cop in the United States under the title Supercop, which grossed a total of US$16,270,600. Chan's first huge blockbuster success came when he co-starred with Chris Tucker in the 1998 buddy cop action comedy Rush Hour, grossing US$130 million in the United States alone. This film made him a Hollywood star, after which he wrote his autobiography in collaboration with Jeff Yang entitled I Am Jackie Chan. Fame in Hollywood and Dramatization: 1999–2007 In 1998, Chan released his final film for Golden Harvest, Who Am I?. After leaving Golden Harvest in 1999, he produced and starred alongside Shu Qi in Gorgeous a romantic comedy that focused on personal relationships and featured only a few martial arts sequences. Although Chan had left Golden Havest in 1999, the company continued to produce and distribute for two of his films, Gorgeous (1999) and The Accidental Spy (2001). Chan then helped create a PlayStation game in 2000 called Jackie Chan Stuntmaster, to which he lent his voice and performed the motion capture. He continued his Hollywood success in 2000 when he teamed up with Owen Wilson in the Western action comedy Shanghai Noon which spawned the sequel Shanghai Knights (2003). He reunited with Chris Tucker for Rush Hour 2 (2001) which was an even bigger success than the original grossing $347 million worldwide. He experimented with special effects with The Tuxedo (2002) and The Medallion (2003) which were not as successful critically or commercially. In 2004 he teamed up with Steve Coogan in the big-budget loose adaptation of Jules Verne's Around the World in 80 Days. Despite the success of the Rush Hour and Shanghai Noon films, Chan became frustrated with Hollywood over the limited range of roles and lack of control over the filmmaking process. In response to Golden Harvest's withdrawal from the film industry in 2003, Chan started his own film production company, JCE Movies Limited (Jackie Chan Emperor Movies Limited) in association with Emperor Multimedia Group (EMG). His films have since featured an increasing number of dramatic scenes while continuing to succeed at the box office; examples include New Police Story (2004), The Myth (2005) and the hit film Rob-B-Hood (2006). Chan's next release was the third instalment in the Rush Hour series: Rush Hour 3 in August 2007. It grossed US$255 million. However, it was a disappointment in Hong Kong, grossing only HK$3.5 million during its opening weekend. New experiments and change in style: 2008–present Filming of The Forbidden Kingdom (released in 2008), Chan's first onscreen collaboration with fellow Chinese actor Jet Li, was completed on 24 August 2007 and the movie was released in April 2008. The movie featured heavy use of effects and wires. Chan voiced Master Monkey in Kung Fu Panda (released in June 2008), appearing with Jack Black, Dustin Hoffman, and Angelina Jolie. In addition, he has assisted Anthony Szeto in an advisory capacity for the writer-director's film Wushu, released on 1 May 2008. The film stars Sammo Hung and Wang Wenjie as father and son. In November 2007, Chan began filming Shinjuku Incident, a dramatic role featuring no martial arts sequences with director Derek Yee, which sees Chan take on the role of a Chinese immigrant in Japan. The film was released on 2 April 2009. According to his blog, Chan discussed his wishes to direct a film after completing Shinjuku Incident, something he has not done for a number of years. The film expected to be the third in the Armour of God series, and had a working title of Armour of God III: Chinese Zodiac. The film was released on 12 December 2012. Because the Screen Actors Guild did not go on strike, Chan started shooting his next Hollywood movie The Spy Next Door at the end of October in New Mexico. In The Spy Next Door, Chan plays an undercover agent whose cover is blown when he looks after the children of his girlfriend. In Little Big Soldier, Chan stars, alongside Leehom Wang as a soldier in the Warring States period in China. He is the lone survivor of his army and must bring a captured enemy soldier Leehom Wang to the capital of his province. In 2010 he starred with Jaden Smith in The Karate Kid, a remake of the 1984 original. This was Chan's first dramatic American film. He plays Mr. Han, a kung fu master and maintenance man who teaches Jaden Smith's character kung fu so he can defend himself from school bullies. His role in The Karate Kid Jackie Chan the Favorite Buttkicker award at the Nickelodeon Kids' Choice Awards in 2011. In Chan's next movie, Shaolin, he plays the cook of the temple instead of one of the major characters. His 100th movie, 1911, was released on 26 September 2011. Chan was the co-director, executive producer, and lead star of the movie. While Chan has directed over ten films over his career, this was his first directorial work since Who Am I? in 1998. 1911 premiered in North America on 14 October. While at the 2012 Cannes Film Festival, Chan announced that he was retiring from action films citing that he was getting too old for the genre. He later clarified that he would not be completely retiring from action films, but would be performing fewer stunts and taking care of his body more. In 2015, Chan was awarded the title of "Datuk" by Malaysia as he helped Malaysia to boost its tourism, especially in Kuala Lumpur where he previously shot his films. Upcoming films include the Indo-China project titled "Kung Fu Yoga" which also stars Sonu Sood and Amyra Dastur. The film also reunites Chan with director Stanley Tong, who directed a number of Chan's films in the 1990s.

Jackie Chan Early life Chan was born on 7 April 1954, in British Hong Kong, as Chan Kong-sang, to Charles and Lee-Lee Chan, refugees from the Chinese Civil War. He was nicknamed Pao-pao Chinese: ?? ("Cannonball") because the energetic child was always rolling around. His parents worked for the French ambassador in Hong Kong, and Chan spent his formative years within the grounds of the consul's residence in the Victoria Peak district. Chan attended the Nah-Hwa Primary School on Hong Kong Island, where he failed his first year, after which his parents withdrew him from the school. In 1960, his father emigrated to Canberra, Australia, to work as the head cook for the American embassy, and Chan was sent to the China Drama Academy, a Peking Opera School run by Master Yu Jim-yuen. Chan trained rigorously for the next decade, excelling in martial arts and acrobatics. He eventually became part of the Seven Little Fortunes, a performance group made up of the school's best students, gaining the stage name Yuen Lo in homage to his master. Chan became close friends with fellow group members Sammo Hung and Yuen Biao, and the three of them later became known as the Three Brothers or Three Dragons. After entering the film industry, Chan along with Sammo Hung got the opportunity to train in hapkido under the grand master Jin Pal Kim, and Chan eventually attained a black belt. Jackie Chan also trained in other styles of martial arts such as karate, judo, taekwondo, and Jeet Kune Do. He began his career by appearing in small roles at the age of five as a child actor. At age eight, he appeared with some of his fellow "Little Fortunes" in the film Big and Little Wong Tin Bar (1962) with Li Li-Hua playing his mother. Chan appeared with Li again the following year, in The Love Eterne (1963) and had a small role in King Hu's 1966 film Come Drink with Me. In 1971, after an appearance as an extra in another kung fu film, A Touch of Zen, Chan was signed to Chu Mu's Great Earth Film Company. At seventeen, he worked as a stuntman in the Bruce Lee films Fist of Fury and Enter the Dragon under the stage name Chan Yuen Lung (Chinese: ???). He received his first starring role later that year in Little Tiger of Canton that had a limited release in Hong Kong in 1973. In 1975, due to the commercial failures of his early ventures into films and trouble finding stunt work, Chan starred in a comedic adult film All in the Family in which Chan appears in his first nude sex scene. It is the only film he has made to date without a single fight scene or stunt sequence. Jackie Chan later also appeared in one other sex scene, in Shinjuku Incident. Chan joined his parents in Canberra in 1976, where he briefly attended Dickson College and worked as a construction worker. A fellow builder named Jack took Chan under his wing, thus earning Chan the nickname of "Little Jack" that was later shortened to "Jackie", and the name Jackie Chan has stuck with him ever since. In the late 1990s, Chan changed his Chinese name to Fong Si-lung (Chinese: ???), since his father's original surname was Fong.

Donnie Yen Action choreography Donnie Yen is considered as one of the premiere action choreographers in the world, being invited by Hollywood to choreograph Blockbusters such as Blade II, Highlander: Endgame and Shanghai Knights. In Asia, he is the action choreographer for most of his movies, and won multiple awards for his action choreography. Yen's most famous works include films such as Flash Point and SPL: Sha Po Lang. He has mentioned that the main differences in film-making in Asia and Hollywood are with regards to freedom and control. In Asia, the action choreographer takes over the scene during the fight scene. This means that for action scenes filmed in Asia, the choreographer becomes the director and is in full control over camera placements, camera angles and the relationship between the drama and the action, therefore the main director is not needed at all. While in Hollywood, Donnie explains that action choreographer simply choreograph the actions with the director, full control such as settings and camera angles are still within the control of the main director. Yen's work as a choreographer won him "Best Action Choreography" awards at the 27th Hong Kong Film Awards and the 2008 and 2011 Golden Horse Film Awards. Yen was the fight choreographer for the 2010 film Legend of the Fist: The Return of Chen Zhen. For this film, Yen mentioned that he included Jeet Kune Do elements as a tribute to Bruce Lee, who played Chen Zhen in the 1972 film Fist of Fury. Furthermore, he incorporated many MMA elements in the film, coupled with the utilization of Wing Chun. Yen also stated that the concept behind Bruce Lee's Jeet Kune Do is similar to that of MMA, hence the incorporation of many forms of martial arts is a necessity in this film. He won the Hong Kong Film Award for Best Action Choreography 4 times, being one of the most frequent winner for this coveted award, his winning choreography includes The Twins Effect, SPL: Sha Po Lang, Flash Point and Kung Fu Jungle. Although uncredited, Donnie Yen was also action co-choreographer for Hong Kong Film Award winners such as Ip Man, Ip Man 2 and Bodyguards and Assassins.