Brandon Lee

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Bruce Lee and his son Brandon Lee

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Boxing Styles Definition of style "Style" is often defined as the strategic approach a fighter takes during a bout. No two fighters' styles are alike, as it is determined by that individual's physical and mental attributes. Three main styles exist in boxing: outside fighter ("boxer"), brawler (or "slugger"), and Inside fighter ("swarmer"). These styles may be divided into several special subgroups, such as counter puncher, etc. The main philosophy of the styles is, that each style has an advantage over one, but disadvantage over the other one. It follows the rock-paper-scissors scenario - boxer beats brawler, brawler beats swarmer, and swarmer beats boxer. Boxer/out-fighter A classic "boxer" or stylist (also known as an "out-fighter") seeks to maintain distance between himself and his opponent, fighting with faster, longer range punches, most notably the jab, and gradually wearing his opponent down. Due to this reliance on weaker punches, out-fighters tend to win by point decisions rather than by knockout, though some out-fighters have notable knockout records. They are often regarded as the best boxing strategists due to their ability to control the pace of the fight and lead their opponent, methodically wearing him down and exhibiting more skill and finesse than a brawler. Out-fighters need reach, hand speed, reflexes, and footwork. Notable out-fighters include Muhammad Ali, Larry Holmes, Joe Calzaghe Wilfredo Gómez, Salvador Sanchez, Cecilia Brækhus, Gene Tunney, Ezzard Charles, Willie Pep, Meldrick Taylor, Ricardo Lopez, Floyd Mayweather, Roy Jones, Jr., Sugar Ray Leonard, Miguel Vazquez, Sergio "Maravilla" Martínez, Vitali Klitschko, Wladimir Klitschko, and Guillermo Rigondeaux. This style was also used by fictional boxer Apollo Creed. Boxer-puncher A boxer-puncher is a well-rounded boxer who is able to fight at close range with a combination of technique and power, often with the ability to knock opponents out with a combination and in some instances a single shot. Their movement and tactics are similar to that of an out-fighter (although they are generally not as mobile as an out-fighter), but instead of winning by decision, they tend to wear their opponents down using combinations and then move in to score the knockout. A boxer must be well rounded to be effective using this style. Notable boxer-punchers include Muhammad Ali, Wladimir Klitschko, Lennox Lewis, Joe Louis, Wilfredo Gómez, Oscar de la Hoya, Archie Moore, Miguel Cotto, Nonito Donaire, Sam Langford, Henry Armstrong, Sugar Ray Robinson, Tony Zale, Carlos Monzón, Alexis Argüello, Erik Morales, Terry Norris, Marco Antonio Barrera, Naseem Hamed and Thomas Hearns. Counter puncher Counter punchers are slippery, defensive style fighters who often rely on their opponent's mistakes in order to gain the advantage, whether it be on the score cards or more preferably a knockout. They use their well-rounded defense to avoid or block shots and then immediately catch the opponent off guard with a well placed and timed punch. A fight with a skilled counter-puncher can turn into a war of attrition, where each shot landed is a battle in itself. Thus, fighting against counter punchers requires constant feinting and the ability to avoid telegraphing one's attacks. To be truly successful using this style they must have good reflexes, a high level of prediction and awareness, pinpoint accuracy and speed, both in striking and in footwork. Notable counter punchers include Muhammad Ali, Vitali Klitschko, Evander Holyfield, Max Schmeling, Chris Byrd, Jim Corbett, Jack Johnson, Bernard Hopkins, Laszlo Papp, Jerry Quarry, Anselmo Moreno, James Toney, Marvin Hagler, Juan Manuel Márquez, Humberto Soto, Floyd Mayweather, Jr., Roger Mayweather, Pernell Whitaker, Sergio Gabriel Martinez and Guillermo Rigondeaux. Counter punchers usually wear their opponents down by causing them to miss their punches. The more the opponent misses, the faster they tire, and the psychological effects of being unable to land a hit will start to sink in. The counter puncher often tries to outplay their opponent entirely, not just in a physical sense, but also in a mental and emotional sense. This style can be incredibly difficult, especially against seasoned fighters, but winning a fight without getting hit is often worth the pay-off. They usually try to stay away from the center of the ring, in order to outmaneuver and chip away at their opponents. A large advantage in counter-hitting is the forward momentum of the attacker, which drives them further into your return strike. As such, knockouts are more common than one would expect from a defensive style. Brawler/slugger A brawler is a fighter who generally lacks finesse and footwork in the ring, but makes up for it through sheer punching power. Mainly Irish, Irish-American, Puerto Rican, Mexican, and Mexican-American boxers popularized this style. Many brawlers tend to lack mobility, preferring a less mobile, more stable platform and have difficulty pursuing fighters who are fast on their feet. They may also have a tendency to ignore combination punching in favor of continuous beat-downs with one hand and by throwing slower, more powerful single punches (such as hooks and uppercuts). Their slowness and predictable punching pattern (single punches with obvious leads) often leaves them open to counter punches, so successful brawlers must be able to absorb substantial amounts of punishment. However, not all brawler/slugger fighters are not mobile; some can move around and switch styles if needed but still have the brawler/slugger style such as Wilfredo Gómez, Prince Naseem Hamed and Danny García. A brawler's most important assets are power and chin (the ability to absorb punishment while remaining able to continue boxing). Examples of this style include George Foreman, Rocky Marciano, Julio Cesar Chavez, Roberto Duran, Danny García, Wilfredo Gómez, Sonny Liston, John L. Sullivan, Max Baer, Prince Naseem Hamed, Ray Mancini, David Tua, Arturo Gatti, Micky Ward, Brandon Ríos, Ruslan Provodnikov, Michael Katsidis, James Kirkland, Marcos Maidana, Jake Lamotta, Manny Pacquiao, and Ireland's John Duddy. This style of boxing was also used by fictional boxers Rocky Balboa and James "Clubber" Lang. Brawlers tend to be more predictable and easy to hit but usually fare well enough against other fighting styles because they train to take punches very well. They often have a higher chance than other fighting styles to score a knockout against their opponents because they focus on landing big, powerful hits, instead of smaller, faster attacks. Oftentimes they place focus on training on their upper body instead of their entire body, to increase power and endurance. They also aim to intimidate their opponents because of their power, stature and ability to take a punch. Swarmer/in-fighter In-fighters/swarmers (sometimes called "pressure fighters") attempt to stay close to an opponent, throwing intense flurries and combinations of hooks and uppercuts. A successful in-fighter often needs a good "chin" because swarming usually involves being hit with many jabs before they can maneuver inside where they are more effective. In-fighters operate best at close range because they are generally shorter and have less reach than their opponents and thus are more effective at a short distance where the longer arms of their opponents make punching awkward. However, several fighters tall for their division have been relatively adept at in-fighting as well as out-fighting. The essence of a swarmer is non-stop aggression. Many short in-fighters utilize their stature to their advantage, employing a bob-and-weave defense by bending at the waist to slip underneath or to the sides of incoming punches. Unlike blocking, causing an opponent to miss a punch disrupts his balance, permits forward movement past the opponent's extended arm and keeps the hands free to counter. A distinct advantage that in-fighters have is when throwing uppercuts where they can channel their entire bodyweight behind the punch; Mike Tyson was famous for throwing devastating uppercuts. Marvin Hagler was known for his hard "chin", punching power, body attack and the stalking of his opponents. Some in-fighters, like Mike Tyson, have been known for being notoriously hard to hit. The key to a swarmer is aggression, endurance, chin, and bobbing-and-weaving. Notable in-fighters include Julio César Chávez, Miguel Cotto, Joe Frazier, Danny García, Mike Tyson, Manny Pacquiao, Saúl Álvarez, Rocky Marciano, Jack Dempsey, Wayne McCullough, Gerry Penalosa, Harry Greb, David Tua, Ricky Hatton and Gennady Golovkin. Combinations of styles All fighters have primary skills with which they feel most comfortable, but truly elite fighters are often able to incorporate auxiliary styles when presented with a particular challenge. For example, an out-fighter will sometimes plant his feet and counter punch, or a slugger may have the stamina to pressure fight with his power punches. Style matchups There is a generally accepted rule of thumb about the success each of these boxing styles has against the others. In general, an in-fighter has an advantage over an out-fighter, an out-fighter has an advantage over a brawler, and a brawler has an advantage over an in-fighter; these form a cycle with each style being stronger relative to one, and weaker relative to another, with none dominating, as in rock-paper-scissors. Naturally, many other factors, such as the skill level and training of the combatants, determine the outcome of a fight, but the widely held belief in this relationship among the styles is embodied in the cliché amongst boxing fans and writers that "styles make fights." Brawlers tend to overcome swarmers or in-fighters because, in trying to get close to the slugger, the in-fighter will invariably have to walk straight into the guns of the much harder-hitting brawler, so, unless the former has a very good chin and the latter's stamina is poor, the brawler's superior power will carry the day. A famous example of this type of match-up advantage would be George Foreman's knockout victory over Joe Frazier in their original bout "The Sunshine Showdown". Although in-fighters struggle against heavy sluggers, they typically enjoy more success against out-fighters or boxers. Out-fighters prefer a slower fight, with some distance between themselves and the opponent. The in-fighter tries to close that gap and unleash furious flurries. On the inside, the out-fighter loses a lot of his combat effectiveness, because he cannot throw the hard punches. The in-fighter is generally successful in this case, due to his intensity in advancing on his opponent and his good agility, which makes him difficult to evade. For example, the swarming Joe Frazier, though easily dominated by the slugger George Foreman, was able to create many more problems for the boxer Muhammad Ali in their three fights. Joe Louis, after retirement, admitted that he hated being crowded, and that swarmers like untied/undefeated champ Rocky Marciano would have caused him style problems even in his prime. The boxer or out-fighter tends to be most successful against a brawler, whose slow speed (both hand and foot) and poor technique makes him an easy target to hit for the faster out-fighter. The out-fighter's main concern is to stay alert, as the brawler only needs to land one good punch to finish the fight. If the out-fighter can avoid those power punches, he can often wear the brawler down with fast jabs, tiring him out. If he is successful enough, he may even apply extra pressure in the later rounds in an attempt to achieve a knockout. Most classic boxers, such as Muhammad Ali, enjoyed their best successes against sluggers. An example of a style matchup was the historical fight of Julio César Chávez, a swarmer or in-fighter, against Meldrick Taylor, the boxer or out-fighter (see Julio César Chávez vs. Meldrick Taylor). The match was nicknamed "Thunder Meets Lightning" as an allusion to punching power of Chávez and blinding speed of Taylor. Chávez was the epitome of the "Mexican" style of boxing. Taylor's hand and foot speed and boxing abilities gave him the early advantage, allowing him to begin building a large lead on points. Chávez remained relentless in his pursuit of Taylor and due to his greater punching power Chávez slowly punished Taylor. Coming into the later rounds, Taylor was bleeding from the mouth, his entire face was swollen, the bones around his eye socket had been broken, he had swallowed a considerable amount of his own blood, and as he grew tired, Taylor was increasingly forced into exchanging blows with Chávez, which only gave Chávez a greater chance to cause damage. While there was little doubt that Taylor had solidly won the first three quarters of the fight, the question at hand was whether he would survive the final quarter. Going into the final round, Taylor held a secure lead on the scorecards of two of the three judges. Chávez would have to knock Taylor out to claim a victory, whereas Taylor merely needed to stay away from the Mexican legend. However, Taylor did not stay away, but continued to trade blows with Chávez. As he did so, Taylor showed signs of extreme exhaustion, and every tick of the clock brought Taylor closer to victory unless Chávez could knock him out. With about a minute left in the round, Chávez hit Taylor squarely with several hard punches and stayed on the attack, continuing to hit Taylor with well-placed shots. Finally, with about 25 seconds to go, Chávez landed a hard right hand that caused Taylor to stagger forward towards a corner, forcing Chávez back ahead of him. Suddenly Chávez stepped around Taylor, positioning him so that Taylor was trapped in the corner, with no way to escape from Chávez' desperate final flurry. Chávez then nailed Taylor with a tremendous right hand that dropped the younger man. By using the ring ropes to pull himself up, Taylor managed to return to his feet and was given the mandatory 8-count. Referee Richard Steele asked Taylor twice if he was able to continue fighting, but Taylor failed to answer. Steele then concluded that Taylor was unfit to continue and signaled that he was ending the fight, resulting in a TKO victory for Chávez with only two seconds to go in the bout.

Brandon Lee Legacy After Lee's death, his fiancée Eliza Hutton and his mother supported director Alex Proyas' decision to complete The Crow. At the time of Lee's death, only eight days were left before completion of the movie. A majority of the film had already been completed with Lee and only a few scenes remained to be done. To complete the film, stunt double Chad Stahelski, who was a friend of Lee's at Inosanto Academy, served as a stand-in; special effects were used to give him Lee's face. Another stunt double, Jeff Cadiente, was also used to complete Lee's parts for the movie. The Crow was released in May 1994 and became a box office hit, grossing over $50 million in the U.S., and retaining a loyal cult following many years after its release. Lee's portrayal of Eric Draven posthumously earned him an MTV Movie Award nomination for Best Male Performance and a Fangoria Chainsaw Award for Best Actor. The film is dedicated to Brandon and Eliza. In an interview just prior to his death, Lee quoted a passage from Paul Bowles' book The Sheltering Sky that he had chosen for his wedding invitations; it is now inscribed on his tombstone: Because we don't know when we will die, we get to think of life as an inexhaustible well. And yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four, or five times more? Perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless... The quotation is not attributed to Bowles on his tombstone. The interview can be seen on VHS, DVD and Blu-ray releases of The Crow. At the time of his death, his father's biopic Dragon: The Bruce Lee Story was ready for release. The film was released two months after Lee's death, with a dedication to his memory in the end credits. In the film, his father was portrayed by actor Jason Scott Lee (no relation). Seven years after Lee's death, a direct-to-video Swedish film titled Sex, Lögner & Videovåld (Sex, Lies & Video Violence) was released in which Lee had a very brief cameo appearance. Lee had filmed his cameo appearance in 1992 at the time he was promoting Rapid Fire in Sweden, but the film was delayed for seven years before finally being released in 2000. It, too, was dedicated to Lee during the end credits.

Brandon Lee Death Lee died of a gunshot wound on March 31, 1993 at the filming studio in Wilmington, North Carolina, at the age of 28, after an accidental shooting on set of The Crow. In the scene in which Lee was accidentally shot, Lee's character walks into his apartment and discovers his fiancée being beaten and raped by thugs. Actor Michael Massee's character fires a .44 Magnum revolver at Lee as he walks into the room. A previous scene using the same gun had called for inert dummy cartridges fitted with bullets (but no powder or primer) to be loaded in the revolver for a close-up scene; for film scenes which utilize a revolver (where the bullets are visible from the front) and do not require the gun to actually be fired, dummy cartridges provide the realistic appearance of actual rounds. Instead of purchasing commercial dummy cartridges, the film's prop crew created their own by pulling the bullets from live rounds, dumping the powder charge then reinserting the bullets. However, they unknowingly or unintentionally left the live primer in place at the rear of the cartridge. At some point during filming the revolver was apparently discharged with one of these improperly-deactivated cartridges in the chamber, setting off the primer with enough force to drive the bullet partway into the barrel, where it became stuck (a condition known as a squib load). The prop crew either failed to notice this or failed to recognize the significance of this issue. In the fatal scene, which called for the revolver to be actually fired at Lee from a distance of 3.6 - 4.5 meters (12–15 feet), the dummy cartridges were exchanged with blank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. But since the bullet from the dummy round was already trapped in the barrel, this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him. He was rushed to the New Hanover Regional Medical Center in Wilmington, North Carolina, where he underwent 6 hours of surgery. However, attempts to save him were unsuccessful, and Lee was pronounced dead at 1:03 p.m. EST. The shooting was ruled an accident. The video footage of his death was used as evidence in the investigation, then later destroyed as part of the lawsuit settlement. Lee's body was flown to Jacksonville, North Carolina, where an autopsy was performed. He was then flown to Seattle, Washington, where he was buried next to his father at the Lake View Cemetery in a plot that Linda Lee Cadwell had originally reserved for herself. A private funeral took place in Seattle on April 3, 1993. Only close family and friends were permitted to attend, including Lee's immediate family as well as fiancée Eliza Hutton's parents and younger sister, who flew in from Missouri. The following day, 250 of Lee's family, friends and business associates attended a memorial service in Los Angeles, held at the house of actress Polly Bergen. The gravestone, designed by North Snohomish County sculptor Kirk McLean, is a tribute to Lee and Hutton. Its two twisting rectangles of charcoal granite join at the bottom and pull apart at the top. "It represents Eliza and Brandon, the two of them, and how the tragedy of his death separated their mortal life together", said his mother, Linda Lee Cadwell, who described her son, like his father before him, as a poetic, romantic person.

Brandon Lee Personal life In 1990, Lee met Eliza "Lisa" Hutton at director Renny Harlin's office, located at the headquarters of 20th Century Fox. Hutton was working as a personal assistant to Harlin, and later became a story editor for Stillwater Productions, in 1991. Lee and Hutton moved in together in early 1991 and became engaged in October 1992. Brandon and Eliza planned to start a family immediately after they were married, but they had yet to conceive when he died. They were due to be married in Ensenada, Mexico on April 17, 1993, a week after Lee was to complete filming on The Crow. At the time of Lee's death, Hutton was working as a casting assistant and was on set of The Crow so much that she was later credited with being Lee's on-set assistant. After his death, Hutton petitioned to have gun safety regulations tightened on film sets. The Crow is dedicated to the couple. Brandon Lee was trained in Jeet Kune Do, Wing Chun, Muay Thai, and Shaolin Kung-Fu.

Brandon Lee Career Lee returned to Los Angeles in 1985, where he worked for Ruddy Morgan Productions as a script reader, doing an uncredited cameo in the action film Crime Killer (1985) starring George Pan Andreas. He was asked to audition for a role by casting director Lyn Stalmaster and got his first credited acting role in Kung Fu: The Movie, a feature-length television movie which was a follow-up to the 1970s television series Kung Fu. The film aired on ABC on February 1, 1986 which was also Lee's 21st birthday. In Kung Fu: The Movie, Lee played Chung Wang, the suspected son of Kwai Chang Caine (David Carradine). Lee's real-life father was originally considered to play the leading role in the Kung Fu TV series. Lee got his first leading film role later that year in the Hong Kong action crime thriller Legacy of Rage in which he starred alongside Michael Wong, Regina Kent and Mang Hoi (look-alike of film star Yuen Biao). It also featured a cameo appearance by Bolo Yeung who appeared in his father's film, Enter the Dragon. Made in Cantonese and directed by Ronny Yu, it was the only film Lee made in Hong Kong. He was also nominated for a Hong Kong Film Award for Best New Performer in this role. In 1987, Lee starred in the unsold television pilot Kung Fu: The Next Generation which aired on CBS Summer Playhouse and was another follow-up to the Kung Fu TV series. In this film the story moved to the present day, and centered on the story of Johnny Caine (Lee), the great-grandson of Kwai Chang Caine (David Carradine). In 1988, Lee made a guest appearance alongside Pat Morita in an episode of the short-lived American television series Ohara, playing a villainous character named Kenji. In the summer of 1988, Lee also started filming his first English-language B-grade action film, Laser Mission; it was filmed cheaply in South Africa, and was eventually released on the European market in 1990. In 1991, he starred opposite Dolph Lundgren in the buddy cop action film Showdown in Little Tokyo. This was marked as his first studio film and American film debut. Lee signed a multi-picture deal with 20th Century Fox in 1991. He had his first starring role in the action thriller Rapid Fire in 1992, and was scheduled to do two more films for them. In August of that year, Bruce Lee biographer John Little asked Brandon Lee what his philosophy in life was, and he replied, "Eat—or die!" Brandon later spoke of the martial arts and self-knowledge: Well, I would say this: when you move down the road towards mastery of the martial arts—and you know, you are constantly moving down that road—you end up coming up against these barriers inside yourself that will attempt to stop you from continuing to pursue the mastery of the martial arts. And these barriers are such things as when you come up against your own limitations, when you come up against the limitations of your will, your ability, your natural ability, your courage, how you deal with success—and failure as well, for that matter. And as you overcome each one of these barriers, you end up learning something about yourself. And sometimes, the things you learn about yourself can, to the individual, seem to convey a certain spiritual sense along with them. It's funny, every time you come up against a true barrier to your progress, you are a child again. And it's a very interesting experience to be reduced, once again, to the level of knowing nothing about what you're doing. I think there's a lot of room for learning and growth when that happens—if you face it head on and don't choose to say, "Ah, screw that! I'm going to do something else!" We reduce ourselves at a certain point in our lives to kind of solely pursuing things that we already know how to do. You know, because you don't want to have that experience of not knowing what you're doing and being an amateur again. And I think that's rather unfortunate. It's so much more interesting and usually illuminating to put yourself in a situation where you don't know what's going to happen, than to do something again that you already know essentially what the outcome will be within three or four points either way. In 1992, Lee landed the lead role of Eric Draven in the film adaptation of The Crow, a popular underground comic book. During production just before his death, Brandon signed to do two sequels to the film if it proved to be successful.

Brandon Lee Early life Lee was born on February 1, 1965 in Oakland, California, the son of martial artist and actor Bruce Lee and Linda Emery. The family moved to Los Angeles, California when he was three months old, but they spent some of his early years in Hong Kong as well. Lee was of Chinese, Irish, English, German, and Swedish descent. He attended high school at Chadwick School, but was asked to leave for insubordination—more specifically, driving down the school's hill backwards. He briefly attended Bishop Montgomery High School, located in Torrance from 1979 to 1980. He received his GED in 1983 at the age of 18, and then went to Emerson College in Boston, Massachusetts where he majored in theater. After one year, Lee moved to New York City where he took acting lessons at the famed Lee Strasberg Theatre and Film Institute and was part of the American New Theatre group founded by his friend John Lee Hancock. The bulk of Lee's martial arts instruction came from his father's top students, and best friends Dan Inosanto and Richard Bustillo.

Brandon Lee Brandon Bruce Lee (February 1, 1965 – March 31, 1993) was an American actor and martial artist. He was the son of martial arts film actor Bruce Lee and teacher Linda Lee Cadwell, the grandson of Cantonese opera singer Lee Hoi-chuen, and brother of Shannon Lee. Starting his career with a supporting role in the 1986 television film Kung Fu: The Movie, Lee starred in several low-budget action films during the late 1980s and early 1990s. He died in a firearms accident while filming The Crow in 1993. The film was released posthumously in 1994 with the help of a stunt double and special effects.

Brandon Lee Chinese name : ??? (traditional) Chinese name : ??? (simplified) Pinyin : L? Guóháo (Mandarin) Jyutping : Lei5 Gwok3 Hou4 (Cantonese) Birth name : Brandon Bruce Lee Born : February 1, 1965, Oakland, California, United States Died : March 31, 1993 (aged 28), Wilmington, North Carolina, United States Resting place : Lake View Cemetery, Seattle, Washington, United States Years active : 1985–1993 Partner(s) : Eliza Hutton (1990–1993; his death) Parents : Bruce Lee (1940–1973), Linda Lee Cadwell (born 1945) Ancestry : Shunde, Guangdong, China

Bruce Lee training his son Brandon Lee

Bruce Lee training his son Brandon Lee